Monday, October 6, 2025,\u00a0 at 4:30pm The Wills of Gods and Men: Narrative Myth and Social Agency in Homer\u2019s Odyssey<\/em><\/strong><\/p>\n Joel Christensen, CUNY Graduate Center<\/p>\n From the beginning of the epic, Homer\u2019s Odyssey<\/em>\u00a0invites audiences to think about human responsibility for their own suffering. The epic dramatizes how cultural narratives influence what its characters do in the world and asks its audiences to consider how the stories of Odysseus, his family, and their community model human behavior in response to and against the narratives that shape them. This talk will focus on five crucial moments in this movement: Zeus\u2019 comments at the beginning of the epic; the initial appearance of Telemachus in book 1; Odysseus\u2019 escape from Kalypso in book 5; the story of the cyclops, Polyphemos in book 9; and the conflict between Odysseus and the suitors\u2019 families at the epic\u2019s end.<\/p>\n Bio: <\/u><\/strong>Joel Christensen is Professor of Classical Studies. He earned his BA and MA at Brandeis and his PhD at NYU. A Fellow at the Center for Hellenic Studies and recipient of the Society for Classical Studies\u2019 Award for Excellence in Teaching, his work focuses on language, myth, and Homeric literature. His publications include A Beginner\u2019s Guide to Homer<\/em>, Homer\u2019s Thebes<\/em> (with Elton T. E. Barker), A Commentary on the Homeric Battle of Frogs and Mice<\/em> (with Erik Robinson), and The Many-Minded Man: The Odyssey, Psychology, and the Therapy of Epic<\/em>. He also contributes to the website Sententiae Antiquae and shares insights on Twitter (@sentantiq).<\/p>\n<\/div>\n<\/div>\n<\/td>\n Thursday, April 25, 2025,\u00a0 at 5:30pm Archimedes\u2019 Cosmos(es): Exploring the Frontier of Science and Literature in Antiquity “In his treatise the Sand-Reckoner, the ancient scientist Archimedes presents a system for naming extraordinarily large numbers, larger than the number of grains of sand that would fill the universe. In so doing he describes several cosmic models, including one in which the Earth orbits the sun\u2014almost 2,000 years before Copernicus proposed his revolutionary theory of heliocentrism. But what exactly was Archimedes\u2019 interest in a sun-centered cosmos? In this talk I discuss Archimedes\u2019 ambitions, showing how the Sand-Reckoner was not simply a scientific endeavor, but a literary one grounded in contemporary poetic aesthetics. I thus hope to show how the study of Archimedes challenges us to rethink conventional boundaries between science and the humanities.”<\/p>\n \u2023Free event!\u00a0 All are welcome!<\/p>\n<\/div>\n<\/div>\n<\/td>\n Wednesday, November 11, 2024,\u00a0 at 11:00 am – Rittenberg Lounge, Mather Hall Living in the Lion\u2019s Jaws: Survival as Resistance in Martial\u2019s Lion and Hare Cycle by Dr. Emi Brown<\/strong><\/p>\n In this talk, Prof. Emi Brown will tell us about her research on the first-century A.D. Roman poet Martial. Martial came from what is today the country of Spain, a margin of the Roman Empire at the time. Dr. Brown will elucidate Martial\u2019s poetic practice, creating art in the context of one of the most dictatorial emperors.<\/p>\n \u2023Free event! Food! All are welcome!<\/p>\n<\/div>\n<\/td>\n The Princeps<\/em> In Pittsfield: A Third-Century Inscription in the Berkshire Museum<\/strong> by John Higgins<\/strong><\/p>\n Dr. Higgins is going to present an inscription in Greek from the eastern Roman frontier that\u2019s now in Pittsfield, Massachusetts\u2019 Berkshire Museum. It dates to the time of the ancient Roman emperor Gordian III, who ruled from 238-244 A.D. Dr. Higgins will talk about the inscription itself and what it means for our understanding of the Romano-Persian wars in which Gordian later died. He will also talk about how it came to Pittsfield, and the dealer who sold it to the Berkshire Museum.<\/p>\n \u00a0<\/em><\/td>\n Joe will perform selections from his music that adapts the ancient Greek epic poem the Iliad<\/em>, steeped in ancient and modern war literature as well as interviews and his experiences playing music at VA hospitals as part of recreational therapy for veterans experiencing PTSD and other related war traumas.<\/p>\n Joe\u2019s first-person songs capture the horror, grief, and love that permeate the Iliad<\/em> and the combat experience. Each song takes on the perspective of different characters, from warriors like Achilles and Patroclus, to kings like Priam, and women like Briseis, Helen, and Andromache.<\/td>\n
\nRittenberg Lounge, Mather Hall
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\nRittenberg Lounge, Mather Hall
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\n<\/strong>Hans Wietzke, University of Massachusetts, Amherst<\/p>\n<\/a><\/td>\n<\/tr>\n\n \n
\n<\/em><\/p>\n<\/div>\n<\/a><\/td>\n<\/tr>\n\n Thursday October 31st at Common Hour <\/em>in the Joslin Family 1823 Room, Library<\/em><\/p>\n <\/a><\/td>\n<\/tr>\n\n Thursday, September 19, 2024- Common Hour – Reese Room, Smith House<\/em><\/p>\n
\n<\/em>The Blues of Achilles: a musical performance by Joe Goodkin<\/strong><\/p>\n<\/a><\/td>\n<\/tr>\n\n Thursday, April 18, 2024; Common Hour; Rittenburg Lounge
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\n<\/em>Psychedelic Art in the Aegean Bronze Age
\n<\/strong> Dr. <\/strong>Karen Polinger Foster, Yale UniversityThe hallucinatory visions engendered by the consumption of psychoactive substances, as well as the production of mind-bending imagery have inspired artistic creation far across space and time. Following a brief overview of the science of psychedelia, this talk investigates Aegean Bronze Age art for evidence of the principal psychedelic hallmarks. Two case studies are considered\u2014Kamares Ware vessels of the Old Palace period on Crete, and the wall paintings on the upper floor of Xeste 3 on Thera. As argued here, both exhibit clear signs of psychedelic influence and intent. To help bridge the gap of 3500 years, analogous examples of modern psychedelic art are discussed and illustrated.\u00a0<\/em><\/td>\n<\/a><\/td>\n<\/tr>\n\n Tuesday March 28, 2023 – Common Hour – Rittenberg Lounge<\/em><\/p>\n