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The following feature story appeared in the campus publication MOSAIC in April, 2001.A versatile student in a world of opportunity One of biology’s
best and brightest Smedley also attests to
Carvalho’s dedication to her work and cites her summer research with him
as one example. Carvalho conducted a study related to “puddling,” a
drinking behavior of male Gluphisia moths. As moths are nocturnal
creatures, Carvalho stationed herself in the laboratory from 8:30 p.m.
until 2 a.m. to observe the moths in action and then would often get up at
6 a.m. the next day to collect new specimens from the moth traps. Carvalho says she is
most interested in ecology and “larger scale” biological dynamics. In
one of her favorite courses, “Conservation Biology,” taught by
Assistant Professor of Biology Joan Morrison, she examined such issues as
biodiversity, endangered species, resource management, and related
political processes. For a community outreach assignment for the course,
Carvalho and her project partner made a presentation about water
conservation to six- and seven-year-olds at the Montessori School in
Hartford’s Learning Corridor. They showed the children specimens of
shellfish and other organisms found in Long Island Sound—creatures that
are affected by what humans introduce into the ecological system of the
Connecticut River. Equally
distinguished in music Carvalho loves the
varied tasks of being a stage manager. Early in a production, these tasks
include organizing costume fittings and keeping track of all blocking and
staging according to the director’s instructions. During performances,
she oversees the technical aspects of the performance, communicating with
technicians via a headset and calling the lighting, sound, and prop cues.
A stage manager is accorded a certain amount of authority, and Carvalho
manages the tricky role of supervising her peers with aplomb, according to
Moshell. Carvalho, who enjoys
listening to a wide range of music—from classical to pop to show
tunes—says her music history courses have challenged her and changed the
way she listens to music. Whenever she hears a piece of music, she can’t
help applying her contextual knowledge and interpretive skills: What do
certain compositional or stylistic elements reveal about when the piece
was written or who influenced the composer?
“Once you’ve learned to listen to music beyond the outside
aesthetics of how pretty it sounds,” she says, “you can’t go back”
to uninformed listening. One of Carvalho’s
most meaningful musical experiences took place last June, when she was
invited back to her high school in Bolton, CT, to conduct its 117-student
concert band. She selected the music “On a Hymn Song of Lowell Mason”
by David Holsinger and held a few rehearsals with the students before
conducting the performance for an audience of 500 people. She had learned
conducting skills in her Trinity courses but never had led such a large
ensemble. “Musically, it was a wonderful experience,” she says, adding
that her hometown gig was personally rewarding as well. Her sister was a
member of the band, and her proud parents were, of course, in the
audience. Considering teaching —Leslie Virostek |