Latin American & Iberian Film Series

Trinity College

Spring 2004

 

OPEN TO ALL 

English Subtitles • Guest Speakers Information:  297- 5256 or 297- 4273

Click on links for credits, plots, and directions
 

Wednesdays, 7:30 PM

 

February 4                            The Revolution will not be televised (Chavez: Inside the coup)

LSC                                        (Ireland / Netherlands/ Germany / Finland / USA, 2003)

 

February 1                        El bonaerense

LSC                                        (Argentina / Chile / France / Netherlands, 2002)

 

February 18                         Balseros (Cuban Rafters)

LSC                                       (Spain / Cuba, 2002)

 

February 25                         La comunidad (Common Wealth)

LSC                                        (Spain, 2000)

 

March 3                                 La ley de Herodes (Herod's Law)

Cinestudio                            (Mexico, 2000)

 

March 10                              Suite Habana

LSC                                       (Cuba, 2003)

 

March 24                               Torrente, el brazo tonto de la ley (Torrente, the stupid arm of the law)

LSC                                        (Spain, 1998)

 

March 31                               En la ciudad sin limites (City of no limits)

Cinestudio                             (Argentina / Spain, 2002)

 

April 7                                    Soldados de Salamina (Soldiers of Salamina)

LSC                                        (Spain, 2003)

 

April 14                                  El caso Pinochet (The Pinochet Case)

LSC                                        (Chile / France / Belgium / Spain, 2001)

 

April 21                                  Los lunes al sol (Mondays in the Sun)

LSC                                        (Spain / Italy / France, 2002)

 

 

Prices: 

Free admission for all films in Life Science Center.

Cinestudio: $6 general admission, $5 for students, educators and senior citizens.

 

Organized by:

Rosamaria De Leon and Fabiola von Hollen (Modern Languages and Literature)

 

Sponsored by:

The Spanish Club, Department of Modern Languages and Literature, Women’s Center, RIBS, Latin American Studies Program, the Programa de Estudios Hispánicos en Córdoba (PRESHCO), and Cinestudio

 

 

Wednesdays, 7:30 PM

 

February 5 Cinestudio

The Revolution will not be televised (Ireland / Netherlands/ Germany / Finland / USA, 2003)
Directed by Kim Bartley and Donacha O’Brian. Documentary. 74 min

 

Plot: When a coup was launched in April 2002 against Hugo Chavez, the elected President of Venezuela, some young Irish filmmakers were lucky enough to be on hand to witness the events. They were actually inside the Presidential Palace - a filmmakers' dream - when the soldiers came to take Chavez away. But they were also there 48 hours later when the same soldiers switched sides reinstalling the president. The result is a brilliant piece of journalism but it is also an astonishing portrait of the balance of forces in Venezuela. On one side stand the Versace wearing classes, rich from many decades of oil revenues, and on the other the poor in their barrios and those within the armed forces who support Chavez.
 

Speaker:  Derek Marin, Trinity College

 

 

 

February 11 LSC

La bonaerense (Argentina / Chile / France / Netherlands, 2002) Directed by Pablo Trapero. Drama. 105 min.

 

Plot: When genial small-town locksmith Zapa is arrested after indulging in a bit of low-level criminality, his well-connected uncle gets him transferred to the capital - and straight into the ranks of the under-resourced, under-staffed, (criminally) under-paid, under-trained and over-stretched men in blue. This film is a persuasive, atmospheric rummage through the dirty internal laundry of Buenos Aires’ order keepers.
 

 

Speaker: Leonardo Palacios, Dept. of Modern Languages, University of Connecticut.

 

 

February 18 LSC

Balseros (Cuban Rafters) (Spain / Cuba, 2002) Directed by Carles Bosch and Jose Maria Domenech. Documentary. 120 min.

 

Plot: In the summer of 1994, Fidel Castro sanctioned the opening of Cuba's coastal borders, allowing a mass exodus of 50,000 balseros - rafters-to set sail from Havana on dangerous makeshift rafts for Miami, Florida. This epic story of Cuban castaways caught between two worlds finds richness in real-life drama celebrating the human spirit as it follows 7 immigrants over the course of 7 years on their journey for the American dream.
 

 

Speaker: Anne Lambright, Dept. of Modern Languages, Trinity College

 

 

February 26 LSC

La comunidad (Common Wealth) (Spain, 2000) Directed by Alex de la Iglesia. Comedy / Thriller. 110 min.

 

Plot: The rhythm of the film jumps from black humor to suspense, from terror to pure action. The protagonist is Julia, a middle aged woman, who works for a real estate agency. While selling an apartment, she finds hidden 300 million pesetas in a dead man’s home, and decides to change her mediocre existence by keeping the money. She then has to face the irate members of the community.
 

 

Speaker:  Carmen Moreno-Nuno, Dept. of Romance Languages, Wesleyan University.

 

 

March 3 Cinestudio

La ley de Herodes (Herod’s Law) (Mexico, 2000) Directed by Luis Estrada. Comedy / Crime / Mystery. 120 min.

 

Plot:

It's the 1940s and Juan Vargas is just a minor member of the Partido Revolucionario Institucional (PRI), who finds himself elected the mayor of a small village. But soon, Vargas has grown power-hungry and with the help of corrupt politician Lopez, Vargas tightens his grip and expands his sphere of influence, through a policy of fear, extortion and criminality. This film is a pitch-black parable of corruption at the highest and lowest levels of government, which virtually takes no prisoners with a mighty angry and crude humor.
 

Speaker: María Silvina Persino, Dept. of Modern Languages, Trinity College.

 

March 10 LSC

Suite Habana (Cuba, 2003) Directed by Fernando Pérez. Documentary. 80 min.

 

Plot: “Suite Habana” is a simple day in the life of ten ordinary people of Havana. There are neither interviews, nor dialogues nor narration: only images, sounds and music cine to express on film the everyday events of a peculiar and unique reality. Each of the characters represents the curious diversity of the social groups found in the city. This film shows more than one Havana, it unveils many invisible and different faces of the city.
 

 

Speaker:  Luis Figueroa, History Department, Trinity College

 

 

March 24 LSC

Torrente, el brazo tonto de la ley (Torrente, the Stupid Arm of the Law) (Spain, 1998) Directed by Santiago Segura. Action / Comedy / Thriller. 97 min.

 

Plot: Torrente is a lazy, rude, drunkard, sexist, racist, extreme-right-wing Madrid ex cop; a despicable character who only cares about himself. He lives in a decrepit slum with his wheelchair-bound father, whom he treats quite badly. A new nymphomaniac neighbor called Amparito, catches his eye, so he becomes a friend of Rafi, her nerdy cousin, who likes action movies. Torrente, Rafi, and Amparito will patrol the city’s streets finding adventures.
 

 

Speaker:  Arthur Galinat, Dept. of Modern Languages, University of Hartford.

 

 

March 31  Cinestudio

En la ciudad sin limites (City of no limits) (Argentina / Spain, 2002) Directed by Antonio Hernández. Drama / Thriller. 125 min

 

Plot: Max (Fernando Fernán Gómez), a successful businessman, lies dying in a Paris hospital, afflicted by a brain tumor. At his bedside are his glacial wife (Geraldine Chaplin) and his grown children, including the youngest, Victor (Leonardo Sbaraglia of Intacto). They can't help but hear his barely coherent ruminations about a plot against someone named Rancel, but only Victor takes him seriously. He becomes obsessed with the man who weighs so heavily upon his father's conscience, and sets off to discover his identity. A tense, brilliantly controlled drama.
 

 

Speaker: Angela Morales, Central Connecticut State University

 

 

April 7 LSC

Soldados de Salamina (Soldiers of Salamina) (Spain, 2003) Directed by David Trueba. Drama. 112 min.

 

Plot:

A successful young novelist who has lost her inspiration makes her living as a teacher and a journalist. Her latest assignment is to investigate a true story that took place at the end of the Civil War involving the infamous writer and ideological fascist, Rafael Sánchez Mazas. She discovers that he was to be murdered in a mass execution, but managed to escape with the help of an anonymous young soldier. The novelist gradually pieces together this story, riddled with contradictions and enigmatic characters. Unwittingly, as her search progresses, it is not only about finding the truth that she is after, but finding herself as well.
 

Speaker:  Christa Chartnuch, Dept. of Modern Languages, University of Connecticut.

 

 

April 14 LSC

El caso Pinochet (The Pinochet Case) ( Chile / France / Belgium / Spain, 2001) Directed by Patricio Guzmán. Documentary. 110 min.

 

Plot:

Augusto Pinochet was the first dictator in Latin America to be humbled by the international justice system since the Nuremberg trials. In September 1998, Pinochet flew to London on a pleasure trip. He rested for a few days. He had tea with Margaret Thatcher. But, suddenly, he began experiencing back pain and underwent an operation in the London Clinic. Upon waking from surgery, he was arrested by the London police. Who was responsible for this? This new film by Patricio Guzmán investigates the legal origins of the case in Spain - where it began two years before Pinochet's arrest.
 

Speaker:  Alba Skar, Dept. of Modern Languages, Trinity College

 

 

April 21 LSC

Los lunes al sol (Mondays in the Sun) (Spain / Italy / France, 2002) Directed by Fernando León de Aranoa. Drama. 113 min.

 

Plot:

This film portrays a group of friends who have worked together at a northern shipyard, and are now all victims of industrial restructuring. It shows poetically and tragicomically their everyday struggle for survival, dealing with the consequences of their unemployment, their lack of self confidence, and how all this affects them and their social environments. It is also about the conception of work as a common good and the characters class pride. For them "work" is their only possession, their treasure. The moment it is taken away, they lose everything.
 

 

Speaker: Fabiola von Hollen, Dept of Modern Languages, Trinity College