Michael Burke (Program Director)
Burke is an award-winning NYC-based performance artist. He has been a member of
Trinity College’s Theater & Dance Department since 2001.
A recipient of All Out Arts & New Village Productions’ “Best Performance
Artist of 2003” Award, Burke juxtaposes spoken text, dance, visual imagery,
video, music and sound score. His solo performance works have been presented
nationally and throughout NYC at venues including Dixon Place, HOT! The NYC
Celebration of Queer Culture, HERE Arts Center, New Dance Alliance’s
Performance Mix Series/Joyce Soho, Highways Performance Space (Los Angeles,
CA), Bronx Academy of Arts and Dance, The Gene Frankel Theatre, The Nuyorican
Poets Cafe, The Single File Series (Chicago, IL), The Lit Lite Series, The
Philadelphia Live Arts Festival, The Drunk and Careening Writers’ Series at
KGB, The National Gay & Lesbian Theatre Festival (Columbus, OH), Chashama,
The Howl Festival, The SEEN+HEARD Festival (Atlanta, GA), The Fresh Fruit
Festival, The Meeting House Theater (Philadelphia, PA), SVCS Theater (Hailey,
Idaho), Ragged Blade Productions (St. Louis, MO), Brooklyn Arts Exchange among
others. In 1998, Burke performed in the New York premiere of “NEA 4”
performance artist Holly Hughes, in her show “Preaching to the Perverted.”
Other performance credits include the legendary Penny Arcade Spiegelworld
production and “Off Stage: The East Village Fragments” by the OBIE
Award-winning Peculiar Works Project, among others. Modern dance credits
include work with choreographers Shizu Homma and Catherine Hourihan of
Australia’s Tilt dance. Burke has appeared on
MTV News as himself, many documentaries including Bizarre Farm’s production This
is Who I Am, as well as numerous independent queer films.
Burke is a member of New Dance Alliance’s Artist Advisory Panel, a board member
of the Gene Frankel Theatre, a regular moderator for the Tank’s xyz
nyc, a resident artist at Dixon Place, and recipient of a 2016
Brooklyn Arts Council Grant and a 2003 Harkness Choreographer’s Grant at SUNY
Purchase. He is a curator at Dixon Place. Burke has been a guest artist at New
York University’s Tisch School of the Arts and taught performance workshops
while touring his shows across the U.S.
Grace Kiley (Acting)
studied acting with the renowned Broadway actress and teacher, Uta Hagen. She has taught acting for film and stage for 25 years, both privately and through other venues such as the New School for General Studies, Burlington College, and Johnson State College. She has also worked for the Farrelly Brothers through Fox Pictures as a private acting coach. Grace is the founder of Vermont Actor’s Workshop where she taught acting, directed and developed original scripts. She co-created the touring production, Theatre on Families, an educational program addressing social and family issues. Grace is a Life Coach specializing in the arts. She has a Masters in Counseling Psychology, and was Chair of Psychology at a liberal arts college where her teaching focused on dreams, unconscious communication, and Jungian theory. She has designed and hosted conferences on “Creativity in the Clinical Setting” and “Creativity, Process and Form.” Throughout her life she has produced and performed in countless professional theatrical productions and independent films. She is currently a member of SAG, Equity, and the HB Ensemble at HB Studio in New York City where she will be seen in “Summerfolk” directed by Austin Pendleton this September.
is the Artistic Director of Alexandra Beller/Dances, established in 2002. As a member of the Bill T. Jones/Arnie Zane Dance Company from 1995-2001, she performed in over 50 countries and throughout the U.S. Alexandra’s choreography has been presented at Dance Theater Workshop, 92nd St. Y, Aaron Davis Hall, Danspace Project at St. Mark's, Abron’s Art Center, Joyce SoHo, P.S. 122, HERE, Symphony Space, Jacob’s Pillow, and has been commissioned by numerous companies. Alexandra Beller/Dances has toured to the Open Look Festival in St. Petersburg, Bytom Festival in Poland and throughout the US .She was a visiting artist at APA, CCDC, and DanceArt in Hong Kong, D-Dance Festival in Korea, Den Nordsk Balletthoskole in Oslo, Henny Jurriens Stichting in Amsterdam, and Cyprus Summer Festival in Nicosia. Film work includes “Romance and Cigarettes” by John Turturro. Recent projects include the premiere of her evening length work, “other stories” at ICA in Boston and residencies at The University of Iowa, University of Nebraska (Lincoln), LIU, and Oakland University. Her new evening length work, “milkdreams,” (world premiere at La MaMa, NYC in June 2015) has been the subject of two international documentaries. Alexandra works for theatre, film, and video, as both Movement Coach and Choreographer. She has choreographed for Hudson Valley Shakespeare Company (“Two Gentlemen of Verona”), Bedlam Theatre (for the critically acclaimed “Sense and Sensibility”) and worked with Taylor Mac, Soomi Kim, Theatre Askew and others. Alexandra received her CMA in Laban Movement Analysis/Bartenieff Fundamentals in 2015. She also holds an MFA from University of Wisconsin at Milwaukee (2006).
Alexandra is also the mother of two fabulous boys, knits children’s hats upon request, and loves life in Brooklyn, NY.
Juliana Francis Kelly (Acting) is a New York City based actor and a playwright who has performed in the U.S., Europe, and Asia. She has originated roles for many great directors, including Reza Abdoh (as a founding member of the internationally renowned Dar A Luz Company); Richard Foreman (in “Paradise Hotel;” “Bad Boy Nietzsche;” “King Cowboy Rufus Rules the Universe” and “Maria Del Bosco” – for which she received an OBIE Award) and for Anne Bogart, Karin Coonrod, Young Jean Lee, Pavol Liska and Kelly Copper, Lear DeBessonet, Normandy Sherwood, Charlotte Braithwaite, Hal Hartley, Meredith Drum, Mary Billyou, Marie Losier in collaboration with Guy Maddin, Bryan Doerries (for outsidethewirellc.com) and David Michalek (for the 2011 Lincoln Center Festival’s “Portraits in Dramatic Time.”) Recent performances include ”Feather Gatherers” for the Drunkard’s Wife and “elizabeth r/text and beheadings”, directed by Karin Coonrod at The Brooklyn Academy of Music Next Wave Festival and The Folger Shakespeare Library in Washington DC. Plays she’s written include: “The Reenactors,” directed by Tony Torn at Abrons Arts Center; “Go Go Go”, directed by Anne Bogart at PS 122, reprised at The Institute of Contemporary Art for London International Festival of Theater; “Box”, directed by Torn and performed at The Women’s Project, PS 122; and The Fontanon Festival in Italy; “The Baddest Natashas”, performed at The Ontological Theater and published by Open City Magazine; “Saint Latrice”, at PS 122 (for which she received a Sundance Screenwriters Fellowship for the film script adaptation.) Her plays have been translated into four languages, and she has received project support from the N.E.A., NYSCA, The Greenwall Foundation, The Durst Foundation and The Jerome Foundation.. Ms. Kelly also builds dolls, one of which is installed at the American Museum of Natural History’s Discovery Room. Ms. Francis Kelly lives in Harlem with her husband, actor/musician David Patrick Kelly, and their seven-year-old daughter Margarethe.
Peter Scioscili (Voice)
is a New York-based performer, choreographer and teacher whose work encompasses dance, music (voice and violin) and theater. In 2008, he founded Peter Sciscioli Performance Projects to support the creation of his interdisciplinary work, and is currently collaborating on a duet with Serbian actress/vocalist Ana Sofrenovic. He is also a founding member of The M6: Meredith Monk Music Third Generation, helping to preserve Ms. Monk’s extraordinary legacy. Peter has performed with Meredith Monk & Vocal Ensemble since 2003 and can be heard on Songs of Ascension, on ECM Records. Peter has additionally performed in work by Ping Chong, DD Dorvillier, Daria Fain, Philip Glass, Susan Marshall, Fiona Templeton, Mary Zimmerman and as a member of Jane Comfort and Company (2004-2010) throughout U.S. and in Europe. His interdisciplinary works and collaborations have been presented in New York and Chicago; in Alaska, Massachusetts, New Mexico, North Carolina, Utah and Vermont; and in Brazil, Croatia and Honduras. Peter has received recent support from BAX/Brooklyn Arts Exchange, Dance Theater Workshop and the Zagreb Student Cultural Center. He has also taught at Duke University and University of Utah among others, and most recently performed and taught at Earthdance during the Western Massachusetts Moving Arts Festival. Snezhana Chernova (acting)
graduated from the Saint Petersburg State Theatre Arts Academy (Russia) with a BFA. She performed at the Baltic Repertory Theater in St. Petersburg for seven years. In New York she studied with the legendary Uta Hagen. She took the Jacques Lecoq workshop with Norman Taylor in NYC and a Theater Pedagogy course with Anatolij Vasiliev in Venice, Italy. She is a founding member of the Russian Arts Theater and Studio based in NYC.
Ms. Chernova taught speech, speaking voice and acting at Saint Petersburg State Theatre Arts Academy and at The Danish Theater School GITIS Scandinavia. She is currently teaching Acting Technique/The Actor Prepares and Advance Technique /Method of Etudes at HB studio.
She performed in US, Canada, Russia, Ukraine, Germany and South Korea. Her favorite roles are: Zoya in F. Dostoevsky’s UNCLE’S DREAM (International tour with Russian-Canadian Theater), Abby in O’Neill’s DESIRE UNDER THE ELMS (WorkShop Theater), Natasha in A. Chekhov’s THREE SISTERS (dir. A. Wright), Margarita in M. Bulgakov’s MASTER AND MARGARITA and Arkadina in A. Chekhov’s THE SEAGULL (both dir. A. Burago). She performed at The Metropolitan Opera in: THE NOSE (dir. W. Kentridge) and BORIS GODUNOV (dir. S. Wadsworth). Films and TV include: THE RING, ALASKA KIDS, THE RUSSIAN ENGINE, THE CHILD WITHING, PROOF OF BIRTH, THE CASUALTY, NO LOVE IN THE CITY, THE LOISE’S LOG, LOST IN TIME and others.
Jill Rousseau (Program Assistant)
is an emerging artist living in Brooklyn, whose movement-based work is funny, feminist, and unpredictable. The New York Theatre Wire called her solo The Best Time I Broke My Arm, created soon after she really did break her arm, one of the highlights of the 2014 Performance Mix Festival at HERE Arts Center. She had the pleasure of performing the piece again at Dixon Place and the E.T.C. Performance Series at the CEC Meetinghouse Theater in Philadelphia. Jill's artistic home is the Tank, where as the dance curator she created the unique series xyz nyc, presents evening-length work by a wide range of emerging artists, performs her own choreography, directed the world premiere of Phillip Gerson's play Changing the Sheets, and recently joined the Board of Directors. Jill has danced, choreographed, and/or created costumes for many independent artists and productions in NYC, including Reverend Billy, Jody Sperling/Time Lapse Dance, Leyya Tawil/Dance Elixer, The Whitest Kids U'Know, Bond St Theatre, Benny Simon, Deb Silver, and The Move Shop. Jill is a member of the New Dance Alliance Board of Directors and the 2014 Artist Advisory Panel. She earned a BA in Theater and Dance from Trinity College and attended the Trinity/La MaMa program, where she now works as the Program Assistant.