Class No. |
Course ID |
Title |
Credits |
Type |
Instructor(s) |
Days:Times |
Location |
Permission Required |
Dist |
Qtr |
| 1055 |
MUSC-101-01 |
Basic Musicianship |
1.25 |
LEC |
Roman,Dan |
MWF: 10:00AM-10:50AM |
TBA |
|
ART |
|
| |
Enrollment limited to 40 |
| |
NOTE: Music 101 students must register for one of the practicum sessions listed below. |
| |
NOTE: 8 seats reserved for first-years. |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 2017 |
MUSC-101-20 |
Basic Musicianship |
1.25 |
LAB |
Melson,Christine |
M: 1:30PM-2:20PM |
TBA |
|
ART |
|
| |
Enrollment limited to 10 |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 2018 |
MUSC-101-21 |
Basic Musicianship |
1.25 |
LAB |
Melson,Christine |
M: 2:40PM-3:30PM |
TBA |
|
ART |
|
| |
Enrollment limited to 10 |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 2019 |
MUSC-101-22 |
Basic Musicianship |
1.25 |
LAB |
Melson,Christine |
W: 2:40PM-3:30PM |
TBA |
|
ART |
|
| |
Enrollment limited to 10 |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 2020 |
MUSC-101-23 |
Basic Musicianship |
1.25 |
LAB |
Melson,Christine |
R: 2:55PM-3:45PM |
TBA |
|
ART |
|
| |
Enrollment limited to 10 |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 2311 |
MUSC-102-01 |
Trinity College Choir |
0.50 |
STU |
Rose,John |
MW: 4:30PM-6:00PM |
TBA |
Y |
ART |
|
| |
Enrollment limited to 100 |
| |
NOTE: To receive a PIN to register, please email John Rose at: John.Rose@trincoll.edu. |
| |
The Trinity College Choir performs varied and challenging choral repertoire, in concert, each semester. Singers will also work on vocal techniques and related musicianship. Membership is by permission of instructor. |
| 2062 |
MUSC-105-01 |
Instrumental Ensemble |
0.50 |
STU |
Curran,Nancy A. |
TBA |
TBA |
Y |
ART |
|
| |
Enrollment limited to 40 |
| |
NOTE: Membership by audition. |
| |
NOTE: To enroll, please contact Nancy Curran at Nancy.Curran@trincoll.edu. |
| |
Chamber ensembles are formed at the beginning of the semester to study and perform works from the classical repertoire. Permission is required; entrance by audition only. Every effort is made to group students with others at the same skill level. |
| 2063 |
MUSC-107-01 |
Lessons |
0.50 |
STU |
Kennedy,Patricia A. |
TBA |
TBA |
Y |
ART |
|
| |
Enrollment limited to 100 |
| |
Prerequisite: Music 101, which may be taken concurrently, and permission of the coordinator. |
| |
NOTE: Special registration takes place during Add/Drop. |
| |
NOTE: Please email PKennedy@trincoll.edu for "Questionnaire and Guidelines". Attendance at a pre-registration meeting is required during the first week of classes. |
| |
Individual instruction in voice or an instrument is offered by teachers invited to the College campus; credit may also be granted for lessons taken from outside teachers who have been approved by the coordinator. Lessons require an extra fee. Fees for Lessons are $600 for eleven one-hour lessons, payable directly to the instructor.
Financial aid to cover instructors' fees is available on a limited basis to Trinity Grant students. Decisions on grant awards will be made on Friday of the first week of classes. |
| 2519 |
MUSC-107-02 |
Lessons |
0.50 |
STU |
Kennedy,Patricia A. |
TBA |
TBA |
Y |
ART |
|
| |
Enrollment limited to 100 |
| |
Prerequisite: Music 101, which may be taken concurrently, and permission of the coordinator. |
| |
NOTE: Special Registration takes place during Add/Drop. |
| |
NOTE: Please email PKennedy@trincoll.edu for "Questionnaire and Guidelines". Attendance at a pre-registration meeting is required during the first week of classes. |
| |
Individual instruction in voice or an instrument is offered by teachers invited to the College campus; credit may also be granted for lessons taken from outside teachers who have been approved by the coordinator. Lessons require an extra fee. Fees for Lessons are $600 for eleven one-hour lessons, payable directly to the instructor.
Financial aid to cover instructors' fees is available on a limited basis to Trinity Grant students. Decisions on grant awards will be made on Friday of the first week of classes. |
| 2064 |
MUSC-109-01 |
Jazz Ensemble |
0.50 |
STU |
Allen,Jennifer M. |
T: 7:30PM-10:10PM |
TBA |
Y |
ART |
|
| |
Enrollment limited to 25 |
| |
NOTE: Membership by audition. |
| |
NOTE: For permission, contact Eric Galm at
Eric.Galm@trincoll.edu. |
| |
The Jazz Ensemble performs several times each year. Permission is required; membership is by audition. |
| 2723 |
MUSC-111-01 |
Samba Ensemble |
0.50 |
STU |
Galm,Eric A. |
M: 6:00PM-7:15PM W: 6:00PM-8:00PM |
TBA |
Y |
GLB1 |
|
| |
Enrollment limited to 25 |
| |
NOTE: For permission, email eric.galm@trincoll.edu and attend the first class. |
| |
Study and performance of Brazilian samba music. Emphasis is on the samba drumming tradition. Related musical styles and musical genres are also included. Previous performance experience is not required, and students may take this course for more than one semester. Membership by audition and permission of the instructor. Also listed under international studies/Latin American and Caribbean. |
| 2721 |
MUSC-113-01 |
Introduction to World Music |
1.00 |
LEC |
Galm,Eric A. |
MW: 2:40PM-3:55PM |
TBA |
|
GLB1 |
|
| |
Enrollment limited to 40 |
| |
NOTE: 8 seats reserved for first-year students. |
| |
A comprehensive survey of global traditions, including village and urban music and dance of Africa, Latin America, and the Caribbean, classical and contemporary music of India, the Far East, Asia, and indigenous traditions of the Americas. This course is designed to highlight the central role of musical expression in human life, exploring musical sound and movement in sacred, secular, ritual, and non-ritual contexts. No previous musical knowledge is required. Students are expected to learn basic listening skills and identify musical styles. The course culminates in a final research project about a world music tradition, ensemble, performer, or other related topic. Also listed in international studies–African studies, international studies–Asian studies, and international studies–Latin American and Caribbean studies. |
| 2065 |
MUSC-119-01 |
Musical-Theater Production |
0.25 |
STU |
Moshell,Gerald |
TBA |
TBA |
Y |
ART |
|
| |
Enrollment limited to 50 |
| |
NOTE: Students enroll on a show-by-show basis at the beginning of a show's production process. To do so, contact Prof. Gerald Moshell at gerald.moshell@trincoll.edu. Offered only Pass/Fail. |
| |
For departmental musical-theater productions, students may enroll on a show-by-show basis at the beginning of the show’s production process. To do so, contact the instructor. Offered only pass/fail. |
| 3262 |
MUSC-150-01 |
Women in Music |
1.00 |
LEC |
Woldu,Gail H. |
TR: 10:50AM-12:05PM |
TBA |
|
ART |
|
| |
Enrollment limited to 50 |
| |
A broad survey of the music and music-making traditions of European and North American women from antiquity to the present. We explore the work and lives of women active as composers and performers in a range of genres, including the classical traditions, blues, jazz, and hip hop. No previous training or experience in music is required. |
| 2415 |
MUSC-200-01 |
Composition |
1.00 |
SEM |
Roman,Dan |
MW: 1:15PM-2:30PM |
TBA |
|
ART |
|
| |
Enrollment limited to 12 |
| |
Prerequisite: Music 101 or permission of the instructor. |
| |
Individual projects in free composition, with emphasis on acquiring and developing techniques of musical form and balance. When possible, student compositions will be performed. |
| 2021 |
MUSC-201-01 |
Diatonic Harmonic Practice |
1.50 |
SEM |
Roman,Dan Melson,Christine |
MWF: 11:00AM-11:50AM R: 1:40PM-2:30PM |
TBA |
|
ART |
|
| |
Enrollment limited to 12 |
| |
Prerequisite: Music 101 or equivalent preparation. |
| |
Study of the harmonic practices of the 18th and 19th centuries, through exercises and the analysis of typical works. An intensive course with integrated practicum sessions, which focus on the development of skills in sight-singing, dictation, and keyboard proficiency, and written exercises modeled after those works. |
| 3246 |
MUSC-263-01 |
J.S. Bach:His Life & Music |
1.00 |
LEC |
Moshell,Gerald |
TR: 2:55PM-4:10PM |
TBA |
|
ART |
|
| |
Enrollment limited to 40 |
| |
While Johann Sebastian Bach is arguably the greatest composer in the history of Western music, he is also perhaps the least cosmopolitan, not having ventured more than a few hundred miles from his 1685 birthplace in Eisenach, Germany. A humble church and court musician, he composed music for specific uses and commissions, rather than merely to "express himself"—seeking to honor God and to flatter Dukes and Kings. Among the works we will examine are instrumental music for solo instruments as well as larger groups (suites, concertos, sonatas, chorale preludes) and vocal music (cantatas, motets, Passion and Mass settings), looking at these pieces both musically and in the context of the society for which they were written. We will also attend performances of Bach works presented in the Hartford area. No formal musical training or previous courses in music are prerequisite. |
| 3261 |
MUSC-312-01 |
Hist Western Music II |
1.00 |
SEM |
Woldu,Gail H. |
TR: 9:25AM-10:40AM |
TBA |
|
ART |
|
| |
Enrollment limited to 15 |
| |
Prerequisite: C- or Better in Music 202. |
| |
An intensive survey of the development of musical style in Europe and the United States through the analysis of selected works from the mid-18th century to about 1900. Composers to be studied include Mozart, Beethoven, Schubert, Verdi, Brahms, and Mahler. |
| 2250 |
MUSC-399-01 |
Independent Study |
0.50 - 2.00 |
IND |
TBA |
TBA |
TBA |
Y |
|
|
| |
Enrollment limited to 15 |
| |
Submission of the special registration form, available in the Registrar’s Office, and the approval of the instructor and chair are required for enrollment. |
| 2334 |
MUSC-466-01 |
Teaching Assistantship |
0.50 - 1.00 |
IND |
TBA |
TBA |
TBA |
Y |
|
|
| |
Enrollment limited to 100 |
| |
Submission of a the special registration form, available in the Registrar’s Office, and the approval of the instructor and chair are required for enrollment. |